Chris Willman Senior Music Writer and Chief Music Critic It’s fair to say that Abbey Road Studios is the most documented recording facility in the world, but only if you count the crosswalk outside.
Otherwise, the nine-bedroom mansion turned studio hasn’t really had its day in the cinematic sun, the way that more modest studios like L.A.’s Sound City and Alabama’s Muscle Shoals have.
Making up for that with an A-lister-filled movie treatment is “If These Walls Could Sing,” the first feature-length documentary from Mary McCartney, who has a hell of a shared Rolodex to draw upon in gathering the firsthand rock ‘n’ roll anecdotes you expect and want in a film like this.
She’s also savvy enough to know that the guy working in the back gluing irreplaceable mid-century microphones back together deserves a few seconds of screen time, too.
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