Ben Croll With 2017’s “This Is Our Land,” director Lucas Belvaux examined the ways in which far right movements attract, recruit and reformat new converts, curdling contemporary anxieties for acrid political goals.
With his follow-up, “Home Front,” the Franco-Belgian auteur explores the roots of those prejudices. The film, which was part of Cannes’ selection last year, is screening this week at UniFrance’s Rendez-Vous with French Cinema in Paris (Jan.
13-15).Adapted by Belvaux from Laurent Mauvignier 2009 novel “The Wound,” the film follows two working-class cousins as they fulfil their colonial military duties in 1960s Algeria and as they nurse their scars and traumas in Burgundy of 2003.
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