Andrew Barker Senior Features WriterOne has to imagine that conceptualizing a shark attack scene must be relatively easy. There’s a reason that these animals have (unfairly, as any marine biologist will tell you) become such evergreen villains in nature thrillers, and the basic cinematic architecture of an attack scene hasn’t changed all that much since “Jaws.” But the scariest part of a shark attack is the element of surprise, and for that to work, a shark film faces its toughest challenge: thinking of something for its potential chum to do in the moments when a shark is not attacking them.This is a challenge that is poorly met by Martin Wilson’s “Great White,” a paint-by-numbers shark survival slog which strands five people on an.
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