Quickly becoming one of the greatest humanist filmmakers we have with the most superb eye for composition in cinema, South Korean director Kogonada delicately breaks your heart in the luminous and exquisitely crafted “After Yang.” If you have children (and or can acutely recall your childhood), you know that precise moment in time when your child starts to gently, curiously inquire about death—what happens to us when we die— and then begins to sadly grapple with the concept that all things die, including those we love the most.
Continue reading ‘After Yang’: Kogonada Reflects Bittersweetly On The Melancholy Nature Of Death & Existence Through Tender Sci-fi & Technosapiens [Cannes Review] at The Playlist..
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