Adam B. Vary Senior Entertainment Writer SPOILER ALERT: This story discusses major plot points, including the ending, of “Abigail,” currently playing in theaters.
The vampire thriller “Abigail” originated as a modern-day update of the classic horror film “Dracula’s Daughter.” But by the time the filmmaking trio Radio Silence — producer Chad Villella and directors Matt Bettinelli-Olpin and Tyler Gillett — began production on “Abigail” in Ireland in the spring of 2023, the movie had virtually no connection to the 1936 Universal picture. “Dracula’s Daughter” follows the grown Countess Marya Zaleska (Gloria Holden) as she tries — and fails — to rid herself of her vampirism following Dracula’s death.
In “Abigail,” by sharp contrast, the titular vampire is a girl, kidnapped by a team of mercenaries — led by the hot-headed Frank (Dan Stevens) and self-possessed Joey (Melissa Barrera) — under the false impression that she’s the helpless daughter of a tycoon who will pay their ransom to get her back.
Eventually, Abigail (Alisha Weir) reveals that her father is Kristof Lazar, an infamous crime lord with seeming infinite resources who is far more likely to hunt down and kill the mercenaries than pay the ransom.
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