Jay Weissberg One of the pleasures of anticipating an Ali Suliman performance is knowing he’ll bring depth and complexity to every role.
His character in “200 Meters,” a father of three taking huge risks to get to his son in the hospital, doesn’t expand his repertoire, but it gives the movie its heart.
The film may not always be quite as successful in imbuing all roles with the same kind of unaffected three-dimensionality, but debuting writer-director Ameen Nayfeh’s depiction of the shameful hurdles Palestinians must overcome in their daily lives rings true even when the script falters.
Part family drama, part road movie, the film — which landed the audience prize in Venice Days — works best when drawing out how one man’s story is a.
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