Mark Schilling Japan CorrespondentNot long ago, director Yoshida Keisuke was little known both in Japan and abroad, though he scored the occasional festival invitation with films like the 2008 quirky comedy “Café Isobe” and the 2016 thriller “Himeanole.”A former lighting director to cult favorite Tsukamoto Shinya, Yoshida was one of many Japanese filmmakers laboring in the middle zone between low-budget indies and major commercial films.
Then this year he released “Blue,” a boxing film informed by his own three-decade involvement in the sport that won glowing reviews for its insider insights and played widely at festivals, starting with its world premiere at Toronto this June.Yoshida has followed up with “Intolerance,” a hard-hitting drama.
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