Uruguayan newcomer Lucia Garibaldi's coming-of-age drama has humid promise, but circles around its darkest psychological questions.
By Guy Lodge Film Critic The world cinema festival circuit will never want for moody coming-of-age stories covering slow summers and restless desires: It takes either a harder touch or an extraordinarily delicate one to stand out amid the sultry languor of the genre.
Uruguayan writer-director Lucia Garibaldi’s debut feature “The Sharks” somehow aims for both in its portrayal of a 14-year-old girl’s disturbing sexual awakening in a sleepy seaside town.
At every turn, the film suggests luridly violent dangers in tranquil waters — both figuratively and, per its title, literally — whilst sketching Rosina, its
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