deepfake look. The thirsty orange wigs plopped atop the heads of Minto and Carey do not help with the aesthetic authenticity.
The storytelling is unnecessarily convoluted, with flashbacks and time jumps on top of the drifting between fantasy and reality, and the acting is dismal.
Mother and daughter Redgrave, Vanessa and Joely, are typically great, if under-utilized, but de Paolis and Smith are far from believable in their roles.
De Paolis, in particular, does not manage to convey any emotional or human honesty in adult Wendy. Indeed, her character has always felt different and set apart by the promise of Peter and Neverland, and while this somewhat works for the younger Wendies who are, after, all, children (even if teenage Wendy is really pushing it on the childlike wonder and innocence for a New York City teen growing up in in the ‘90s).
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