Barbie is confounding: In addition to setting box office records, the movie has also inspired a flood of commentaries about its presumed “message.” Yes, there have been more editorials about a doll than about a bomb.
Why did Barbie complain about “cognitive dissonance” at a Mattel corporate meeting? Or denounce “sexualized consumerism”? For that matter, was it rude to joke about Proust, the revered French novelist?
Were director Greta Gerwig and her co-screenwriter, husband Noah Baumbach, nurturing a hidden subtext in their script? And should we care?
The big news on Barbie: it’s headed for $1 billion in worldwide ticket sales by this weekend, vastly surpassing Oppenheimer, which has a longer running time and more limited release schedule (it’s at $181 million U.S.).
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