With the premiere of “Killers of the Flower Moon” at the Cannes Film Festival this weekend, one of the key questions for audiences was if Martin Scorsese did right by the Osage Nation.
While the film examines a critical turning point in the history of the tribe, as our own Robert Daniels noted, there are limits to how much even well-meaning direction can capture onscreen when a filmmaker is not part of the community he is covering.
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