By Cynthia Littleton Business Editor One year after a mass exodus of TV and film writers from Hollywood’s largest talent agencies, the Writers Guild of America and the industry’s Big Four talent agencies are still nowhere near settling the impasse over packaging fees and affiliated production entities.
The shock of the coronavirus-related shutdown of dozens of productions in recent weeks has heightened anxiety for many writers about the prospect of navigating a more difficult job market in the months ahead without the aid of powerful reps at the largest agencies: WME, CAA, UTA and ICM Partners.
There’s a growing sense in the creative community that a good percentage of projects that were ready to roll just weeks ago now may not go
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