Jessica Kiang It’s the end of the world as Joel (Dylan O’Brien) knows it and, despite living in an underground bunker for seven years to evade the gigantic mutant reptiles, insects and amphibians that now roam the earth’s surface, he feels surprisingly fine.
Michael Matthews’ cheerfully PG-13 adventure comedy quickly dispenses with any notional topicality threatened by its premise (it would be a reach to relate the comet-strike/radiation quandary faced by humanity in its opening moments to our current deeply uncool and uncinematic global disaster), but that’s all for the best.
It leaves “Love and Monsters” free to get on with its splattery creature effects and silly but satisfying hero’s journey entirely unencumbered by importance.
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