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variety.com
Cinephil Takes World Sales on Elliot Page-Supported Transgender-Themed Doc ‘Into My Name’ (EXCLUSIVE)
Nick Vivarelli International CorrespondentTel-Aviv-based Cinephil, the sales company behind triple-Oscar nominated “Flee,” has snapped up world rights, excluding U.S., to Italian director Nicolò Bassetti’s transgender-themed doc “Into My Name,” which is executive-produced by Elliot Page.UTA Independent Film Group will be handling North American rights. The buzzy doc, which world-premieres at the Berlin Film Festival in the Panorama Documentary section, stems from Bassetti’s personal experience with the gender transition of his child, Matteo.“Into My Name” provides an intimate look at the universal challenges of gender transition by observing a tight-knit group of trans friends in the central Italian city of Bologna. Cinephil managing director Olivier Tournaud in a statement said that he was “immediately taken” by Bassetti’s “sensitive and relatable exploration of the many facets of gender and even more so the love letter from a father to his son.”“Into My Name is timely and spotlights voices that need to be heard; this is exactly the kind of film Cinephil is proud to represent,” Tournaud noted.Bassetti underlined that for him the doc “is a deeply personal project, both as a parent of a transgender son and as a director who has always explored individual paths that show our shared humanity.” “I trust that together with a strong partner such as Cinephil, we can add to the awareness and understanding of trans issues with international audiences,” the director said.The doc’s characters, Nico, Leo, Andrea and Raff — whose ages span from their mid-20s to mid-30s — come from different parts of Italy, and started their gender transition from a female to a male identity at different times in their lives.
variety.com
Swiss Language Diversity Helps Its Films Travel Abroad
Nick Vivarelli International CorrespondentUndeterred by the pandemic, the wheels of Switzerland’s film production machine kept on spinning in 2021, churning out the meticulously made multicultural co-productions the country is known for that scored slots at top festivals.Works by young directors such as Elie Grappe, whose coming-of-age drama “Olga” launched at Cannes; Niccolò Castelli’s terrorism-themed “Atlas,” which bowed at Locarno; and also the VR project “Caves” by Carlos Isabel Garcìa, which premiered at Venice; provided a preamble to the exceptionally strong Swiss presence at this year’s Berlinale.Berlin sees a record-breaking two competition slots filled by new works from established Swiss directors, Ursula Meier’s “The Line” and Michael Koch’s “A Piece of Sky,” plus several more Swiss titles in other sections. “In the worst year ever we shot three productions back-to-back during the pandemic; somehow we got used to it,” says Oscar-nominated Max Karli (“My Life as a Zucchini”), who is among the producers of “The Line” via his Geneva-based Bandita Productions, in tandem with Pauline Gygax.In Switzerland, the film and TV industry held firm last year as one of the few sectors where camera crews and actors continued to work, unlike advertising, which shuttered completely for many months.“It was quite hard because we were shooting without insurance pertaining to anything linked to the pandemic,” Karli says, though some government subsidies were made available for physical productions struck by COVID infections.But, as Karli and other Swiss producers point out, Switzerland is a confederation.
Berlin is the capital and largest city of Germany by both area and population. Its 3,769,495 (2019) inhabitants make it the most populous city proper of the European Union. The city is one of Germany's 16 federal states. It is surrounded by the state of Brandenburg, and contiguous with Potsdam, Brandenburg's capital. The two cities are at the center of the Berlin-Brandenburg capital region, which is, with about six million inhabitants and an area of more than 30,000 km², Germany's third-largest metropolitan region after the Rhine-Ruhr and Rhine-Main regions.
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