Brent Lang Executive Editor “No extraneous commotion,” Jordan Fein, the associate director of “Cabaret at the Kit Kat Club,” beseeches the small army of construction crew members who are drilling, hammering and carrying planks of wood around him, not to mention the half-dozen musicians and dancers waiting to rehearse.
It’s roughly two weeks before the revival of John Kander and Fred Ebb’s “Cabaret” opens its doors to the public, and Fein is fine-tuning the prologue, an hour-and-15-minute immersion into club culture that precedes the show.
It’s a daring piece of theatrical provocation that has helped to make the Broadway production one of the season’s hottest (and most expensive) tickets.
It’s also unusual. For this version of “Cabaret,” playgoers are encouraged to arrive long before the opening number to visit the Kit Kat Club.
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