th century France.“C’est pas juste,” Anne insists, as one moment after another is decided by people who don’t care about or even consider her needs.
She’s right, of course; nothing about her situation is fair. Judging, shunning, shaming; anger, fear, pain — this is the language of Diwan’s story.
To call it a difficult watch would be an understatement; it often feels, in its stark honesty, like a horror film.But Anne, through sheer force of will, also makes room for the vocabulary of strength and self-determination.
Like Eliza Hittman’s more expansive “Never Rarely Sometimes Always” or Cristian Mungiu’s unsparing “4 Months, 3 Weeks, and 2 Days” — both of which also follow vulnerable young woman as they race through a maze without a map — “Happening” serves to unsettle, expose, and condemn.
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