Ben Croll When Robert Greene began work on “Procession,” which follows six middle-aged survivors of abuse as they work together to reenact their traumatic memories on film, the director wanted to upend long standing documentary models.“I didn’t want to have a traditional film where you put the camera in someone’s face, they feel a lot of stuff, you edit it into something powerful, and they feel left out,” Greene tells Variety. “Throughout the making, the more power we gave [the film’s six leads], the more cathartic and beautiful the experience was, and somewhere along the way I realized that every step of [the filmmaking and promotional process] could be part of that therapy.”On paper that meant splitting up the “film by” credit, sharing.
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