Eddie Redmayne Jessie Buckley Charles Graeber Tobias Lindholm Ed Meza Charles Cullen Amy Loughren film performer stage Eddie Redmayne Jessie Buckley Charles Graeber Tobias Lindholm Ed Meza Charles Cullen Amy Loughren

Eddie Redmayne Discusses Vision of ‘Good Nurse’ Director Tobias Lindholm, Jessie Buckley’s Performance in ‘Cabaret’

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variety.com

Ed Meza @edmezavar Attending the Zurich Film Festival for the screening of his latest film, “The Good Nurse,” Eddie Redmayne spoke about his desire to work with director Tobias Lindholm, the joy of watching Jessie Buckley’s performance in “Cabaret” and the disappointment of missing out on “Games of Thrones.” “The Good Nurse,” which Variety’s Tomris Laffly describes as “soulful” and “devastating,” tells the true story of nurse Charles Cullen, who confessed to murdering at least 29 patients but who may have in fact murdered as many as 400 people, and fellow nurse Amy Loughren (Jessica Chastain), who helped solve the case.

It’s based on the book “The Good Nurse: A True Story of Medicine, Madness and Murder,” by Charles Graeber. “I was sent the script and I knew nothing about the film,” Redmayne said, taking part in a Zurich Film Festival master class. “The story unraveled in front of my eyes and I couldn’t believe that I didn’t know about this story.

I also thought it was extraordinary because the piece felt impossible to pigeonhole.” It’s a story about a “real-life superhero,” a woman who manages to accomplish things that the system is unable to do, he explained. “We’re so used to violence being used to attack violence, whereas in this film, it’s about empathy and compassion being used to stop this man from doing these horrific things.” Redmayne was also keen to work with Lindholm. “I had seen his films and was a massive admirer of his work.

And I was desperately looking to be in a film with someone with a vision … and that’s a rare thing. Tobias has a vision.” “I went in with very high expectations, and the making of it, working with Jessica, working with Tobias, working with Krysty [Wilson-Cairns], our writer, and

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