Sir Samuel Alexander Mendes CBE (born 1 August 1965) is an English film and stage director, producer and screenwriter. In theatre, he is known for his dark re-inventions of the stage musicals Cabaret (1994), Oliver! (1994), Company (1995), and Gypsy (2003). He directed an original West End stage musical for the first time with Charlie and the Chocolate Factory (2013).
For directing the play The Ferryman, Mendes was awarded the Tony Award for Best Direction of a Play in 2019.
“1917” and “Skyfall,” will helm the entire magical mystery tour of biopics that explore the lives of John Lennon, Paul McCartney, George Harrison and Ringo Starr. “We intend this to be a uniquely thrilling, and epic cinematic experience: four films, told from four different perspectives which tell a single story about the most celebrated band of all time,” producer Pippa Harris, of Neal Street Productions, said in a statement. “To have The Beatles’ and Apple Corps’ blessing to do this is an immense privilege.”McCartney, Starr and the families of the late Lennon and Harrison gave the effort the go-ahead through Apple Corps.The order of the films’ releases and whether or not they will play theaters simultaneously are unknown.
Casting has not yet been announced.Sony Music Publishing, conveniently, owns the vast majority of the Beatles’ song catalogue.Musician biopics have proved a mostly reliable genre at the cinema.
The Queen story “Bohemian Rhapsody” raked in $910 million at the worldwide box office, while “Elvis” managed $288 million and the Elton John flick “Rocketman” did $195 million.And just this past weekend, “Bob Marley: One Love” beat expectations and grossed $81 million worldwide.Still, the Mendes project is unusual in that it will tell the story of the group’s ascent from four separate points of view.
That tricky format is more common on television (Season 4 of “Arrested Development”) or in novels (“Midnight Sun,” the “Twilight” retread by Stephanie Meyer).Four movies will require four pricey ticket purchases.The Beatles have endured in the culture since they first exploded in the early 1960s — even after the assassination of Lennon outside the Dakota in 1980 and the death of Harrison in 2001.
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