In a career filled with near-unwavering success, including Best Picture and Best Director wins for “Birdman” and “The Revenant,” Alejandro G.
Iñárritu’s “BARDO: False Chronicle of a Handful of Truths,” the Mexican auteur’s latest film, a personal surrealist trip, is his most divisive.
Critics of the film have accused “Bardo” of being “exhausting,” “shallow,” and “self-indulgent.” READ MORE: ‘Bardo’ Review: Forget ‘Roma,’ Alejandro Iñárritu Wishes His ‘Handful of Truths,’ Was His’ 8 ½’ [Venice] Of course, Iñárritu isn’t the only director to excavate his life for deeper meaning.
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