Zack Ruskin On Bright Eyes’ new album, midway through the lush, dystopian “One and Done,” the familiar gravel of Conor Oberst’s voice shares an observation seemingly tailor-made for our present moment. “Let’s take a walk around the block,” he sings. “This fleeting feeling is infinite.”For those now measuring their quarantine in months, such words must feel achingly prescient.
In truth, however, “Down in the Weeds, Where the World Once Was” — the tenth studio album from Bright Eyes, and first in nine years — is a record several years in the making.
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