A friendship that blossoms into romance offers two mid-19th century farmers' wives refuge from their joyless marriages and routines of menial drudgery in Mona Fastvold's The World to Come.
Adapted from Jim Shepard's moving 2017 short story of the same title, this Venice competition entry is set in a rugged upstate New York where the winters are harsh and the patriarchy hangs heavy.
Resignation seems to be the default mode for Abigail and Tallie (Katherine Waterston and Vanessa Kirby, respectively), the women at the story's center, whose lives revolve around keeping their husbands' stomachs full and their ambitions afloat.
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