Peter Debruge Chief Film CriticBill Morrison makes movies out of fragments of other movies, giving new life to ghostly scraps of an earlier time.
Whereas most film conservationists aspire to restoring lost and degraded films to their original glory, Morrison sees beauty in the decay — the underlying premise of his mesmerizing avant-garde super-cut “Decasia,” released in 2002, and a key attraction of his latest collage feature, “The Village Detective: A Song Cycle,” which spends long minutes projecting what remains of four reels of celluloid recovered from the Atlantic by an Icelandic fishing trawler.A decade after “Decasia,” Morrison reached even wider recognition with “Dawson City: Frozen Time,” wherein a stockpile of century-old 35mm.
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