If one were paying close attention to the recent career of actor Jake Gyllenhaal one might think he was on a mad quest to a) become a buff action star thriller and b) elevate the careers of mid/middling directors.
The last three live-action Gyllenhaal movies –“Spider-Man: No Way Home,” “The Guilty,” and “Ambulance”—have all seemed like an attempt to subvert his narrative as arthouse darling, and the latter two were the best films of those director’s careers in quite some time (Antoine Fuqua and Michael Bay, respectively).
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