Jessica Kiang In the limbo between waking and sleeping — a state deliberately induced by Vietnamese director Lê Bảo’s striking feature debut — the framework that allows you to judge dream from nightmare is absent.
And anyway, how many of our reveries can be so easily classified as one or the other? “Taste” (the name itself a strange tease for a film that despite its opacity is sensuously preoccupied with food and flesh) is defiantly dreamlike, submerging a barely-there plot into an aesthetic so arresting it becomes the story.
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