The Cow is a film about a mystery that comes with many mysteries of its own, chief among them being the question of why Winona Ryder’s career is so shaped by her past.
Stranger Things may have brought her back to the public eye, but it seemed to claim her as an ’80s icon when Ryder only had a walk-on part in that decade’s final reel.
Her role in Darren Aronofsky’s 2010 ballet psychodrama Black Swan likewise came with a sting in the casting, pitting Ryder as the outgoing grand dame against Natalie Portman as an ingenue snapping at her heels.
And here again, much mention is made of her age when Sandra Bullock—seven years her senior—could lead a bigger movie without a peep.The good news is that Ryder is easily the best thing about Eli Horowitz’s debut feature, a twisty thriller that packs a lot of intelligent ideas into a puzzle structure that, somewhat counterintuitively, takes the viewer’s attention away from them.
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