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‘Cuckoo’, ‘Spaceman’ among the first films announced for next year’s Berlinale
Cuckoo (above) from filmmaker Tilman Singer and Johan Renck’s Spaceman with Adam Sandler, a Netflix film for which a trailer just dropped.The seven films are as follows.Cuckooby Tilman Singer | with Hunter Schafer, Dan Stevens, Jessica Henwick, Marton Csókás, Jan Bluthardt Germany 2024Berlinale Special Gala | World premiereDostoevskij (Dostoevsky)by Damiano & Fabio D’Innocenzo | with Filippo Timi, Gabriel Montesi, Carlotta Gamba, Federico Vanni Italy 2024Berlinale Special | World premiere | SeriesSasquatch Sunsetby David & Nathan Zellner | with Riley Keough, Jesse Eisenberg, Nathan Zellner, Christophe Zajac-Denek USA 2024Berlinale Special | International premiereSeven Veilsby Atom Egoyan | with Amanda Seyfried, Rebecca Liddiard, Douglas Smith, Ambur Braid, Michael Kupfer-Radecky Canada 2023Berlinale Special Gala | International premiereSpacemanby Johan Renck | with Adam Sandler, Carey Mulligan, Kunal Nayyar, Isabella Rossellini, Paul Dano USA 2024Berlinale Special Gala | World premiereTreasureby Julia von Heinz | with Lena Dunham, Stephen Fry, Zbigniew Zamachowski Germany / France 2024Berlinale Special Gala | World premiereWu Suo Zhu (Abiding Nowhere)by Tsai Ming-liangTaiwan / USA 2024Berlinale Special | World premiere | Documentary FormArtistic Director Carlo Chatrian announced seven films in all for next year’s festival with the remaining line-up due in mid-January.“It is with special pleasure and pride that we welcome back directors who have presented their work at the festival in the past. Berlinale Special will be home for new films by Julia von Heinz (Treasure) and Tilman Singer (Cuckoo), both with projects involving American stars, for the irreverent comedy by the Zellner brothers (Sasquatch Sunset) and the dark
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‘Close Encounters Of The Third Kind’ In Concert At The Royal Albert Hall – European Premiere
Five tones. That’s all it took for John Williams to convey a sense of a wider form of communication that stretches from the Earth to the Cosmos. Close Encounters of the Third Kind is a film about (among many things) communication and the power of the universal language of music in particular. It is fitting, then, that the Royal Albert Hall would make room for Steven Spielberg’s 1977 Sci-Fi classic in its season of live orchestral performances this year. Not only is it a wonderful chance to revisit one of Spielberg’s finest, but it offers a means to greater appreciate just how emotionally complex William’s work is in this tale of making connection with beings not of this world. Seeing a film with a live orchestra is an experience that everyone should embark upon, be it your first time seeing the film for your 100th. It is a uniquely immersive experience, bringing you into the film in a way that no other screening format can quite muster. Music, and particularly the music of John Williams, is often used to heighten emotion and elevate scenes to their peak resonance, and the tangibility of seeing an orchestra play the score as the film progresses brings you even closer to those emotions in a truly profound fashion.The film and the score all build-up to one of the finest finales put to screen with the eventual meeting between our characters and the aliens who have been telegraphing their arrival. The moments of witty government conspiracy and deeply touching and devastating family drama give way to the meeting of human and alien, as the human race communicates to the huge, foreboding and colourful mothership through the medium of music. It is a sequence that never loses its grandeur on repeat viewing, a moment in which the
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