RIC: Celebs Rumors

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Lady Gaga Stylist Nicola Formichetti Recruited as Mentor by Saudi Arabia’s AlUla Creates (EXCLUSIVE)

Nick Vivarelli International Correspondent Fashion designer and creative director Nicola Formichetti, who has worked with Lady Gaga for over a decade, has been recruited by Saudi Arabia’s Film AlUla as mentor for its AlUla Creates initiative that is at the intersection of film and fashion. In his new role, the prolific Formichetti – who besides masterminding Lady Gaga’s instantly iconic meat dress has collaborated with Nicole Kidman, Bad Bunny and Olivia Rodrigo and created visual campaigns for global fashion houses such as Mugler, Diesel and Uniqlo – will “support the first wave of emerging Saudi design talent, as both the film and fashion pathways converge,” according to a statement.
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Ring of Truth: The Rise of Pro Wrestling Docuseries
Joe Otterson TV Reporter The behind-the-scenes world of professional wrestling was infamously closed off to the public for decades, frustrating fans who craved a glimpse of what their favorite performers were really likeoutside the ring.That all changed with the internet and social media. And now, the industry is peeling back the mystique further via a slew of docuseries about pro wrestling’s biggest stars and aspiring grapplers.WWE has a slate of four shows with A&E, including “WWE Rivals” and “WWE’s Most Wanted Treasures.” Meanwhile, Vice TV is releasing Season 4 of the series “Dark Side of the Ring” on May 30. Also in the mix, Apple TV+ recently aired the docuseries “Monster Factory,” named after the famed pro wrestling school in New Jersey where it takes place, and TBS began airing the All Elite Wrestling show “AEW: All Access” in March.Evan Husney, co-creator and executive producer of “Dark Side of the Ring,” says the pro wrestling doc boom is finally happening because the WWE “controlled the narrative for so long.” Only now are fans getting to see things from other perspectives.“[WWE] controlled all the documentaries that were being put out,” he says. “When we came along with our first season, it was the first time on television in a while that you had seen a sort of journalistic approach and different looks at behind-the-scenes stories and controversies on that large of a scale.”Also driving the wrestling docuseries explosion: nostalgia.
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