There is much about Rose Glass’ “Saint Maud” that’s horrifying and unimaginable, so let’s begin with its most poignant, relatable moment: the title character sitting in a bar, alone, just trying to be a person.
She nurses a beer and glances around the room; she tries to make connections, trading flirty looks with a handsome young guy, trying to laugh along with a table of contemporaries nearby.
None of it takes. Continue reading ‘Saint Maud’ Is A Stunning Debut From An Electrifying Filmmaker [Review] at The Playlist..
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