Director Stephen Kijak does something disarmingly unexpected with the opening minutes of his biographical documentary “Rock Hudson: All That Heaven Allowed.” He gives us the de rigueur rapid-fire “why he mattered” montage, of course; it’s all but written into law for films like this.
But while most bio-docs make that their credit sequence (usually ending on a profound quote from the subject, and then a hard cut to title), this one puts it after the title and the real opening; the pre-title sequence here is a mini-fantasia, a very queer visualization of one of Hudson’s dreams, a vivid illustration of how he saw himself.
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