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‘It’s What’s Inside’ Review: Roleplay Games Spiral Out of Control In an Increasingly Hysterical Horror Comedy

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variety.com

Guy Lodge Film Critic Adding to cinema’s long list of hellish bachelor parties to which nobody in their right mind should accept an invitation, “It’s What’s Inside” gathers a large crowd of mostly estranged friends in a remote mansion where either no one can hear you scream, or no one much cares if they do.

It’s an age-old setup for a body-countdown horror movie, and it’s to the credit of Greg Jardin‘s highly strung, busily plotted debut feature that it doesn’t unfold exactly as you’d expect.

That’s down to a nifty high-concept premise — not wholly original, but more commonly used for purposes of comedy than horror — that the filmmakers are eager to keep a secret, which might be a challenge if this grabby, nasty Sundance Midnight premiere gathers the “Talk to Me”-level buzz it’s clearly targeting.

It begins, somewhat tellingly, with a failed exercise in roleplay. We open on Shelby (Brittany O’Grady), a cautious young woman, donning a wig and a vampish new persona in an attempt to get her her detached boyfriend Cyrus (James Morosini) to look at her differently — or, really, to look at her at all.

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