On HBO’s new miniseries Perry Mason,wildly contrasting aspects of 1930s Los Angeles are spotlighted by differences in costume. “With the Great Depression happening and also with the movie industry happening, there was this strange juxtaposition in the city,” says Emma Potter, costume designer of the series, which stars Matthew Rhys as the famed private investigator. “We capture all of that, from a New Year’s Eve gala in a Hollywood studio to seeing people with nothing who migrating to the city from other states looking for work.” Potter says that in her work on the show, which airs its finale Aug.
9, she above all wanted to “avoid a glossed-over or stylized feel from a costume standpoint.” To do that, she relied on original photography and.
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