Owen Gleiberman Chief Film CriticWhen you look at the photographs of Helmut Newton, with their spectacularly cold and severe Amazon-women-on-the-moon erotic shock value, and you try to imagine the man behind the camera (it’s sort of hard not to), you tend to picture him as a figure every bit as kinky and forbidding as the outrageous things he’s photographing.
There’s a famous shot of Newton: the clowning-around photograph of him wearing high heels (pictured above), which only enhanced his image as a Eurotrash decadent who turned his fantasies into flesh.But in “Helmut Newton: The Bad and the Beautiful,” an engaging and surprisingly playful documentary about the man who was arguably the most transgressive photographer to emerge from the.
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