Owen Gleiberman Chief Film Critic The feelings some of us have about the Sundance Film Festival border on the religious. I don’t mean that we’re a cult; I mean that the force that Sundance represents is a religion worth believing in.
By the end of the 1980s, the action/comedy/horror/fantasy grind of Hollywood cinema had become bloated and exhausting. The independent film movement didn’t just reinvigorate American movies.
It saved them. When I started going to Sundance in the ’90s, I always felt, despite the winter landscape, that I was going to be reveling in a vast garden of cinema.
Each year, I wanted to know: What extraordinary film flowers are going to pop up that will then be spread throughout the land?
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