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Daniel Craig
Daniel Wroughton Craig (born 2 March 1968) is an English actor. After training at the National Youth Theatre and graduating from the Guildhall School of Music and Drama in 1991, Craig began his career on stage. He made his film debut in the drama The Power of One (1992) and attracted attention with appearances in the historical television war drama Sharpe's Eagle (1993), the family film A Kid in King Arthur's Court (1995), the television serial drama Our Friends in the North (1996), the biographical film Elizabeth (1998), the television film Love Is the Devil: Study for a Portrait of Francis Bacon (1998), the indie war film The Trench (1999), the drama film Some Voices (2000), the action film Lara Croft: Tomb Raider (2001), the crime thriller film Road to Perdition (2002), the crime thriller film Layer Cake (2004), and the historical drama film Munich (2005).
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From ‘Babygirl’ to ‘Queer’ and ‘Emmanuelle,’ Erotic Movies Are Back and They’re Heating Up the Fall Festival Circuit

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variety.com

Queer” with Daniel Craig. Elsewhere in the festival circuit, Audrey Diwan’s “Emmanuelle” is kicking off San Sebastian, while Alain Guiraudie’s “Misericordia,” which opened at Cannes, is playing at virtually every major fest this fall.

But like Kidman’s character in “Babygirl” who only gets triggered when something is at stake, erotic movies in 2024 aren’t created as mere entertainment as they once were; they exist to push boundaries and break down clichés revolving mainly around female and gay protagonists. “Babygirl,” directed by Dutch helmer Halina Reijn (“Bodies Bodies Bodies”), tackles the complexity of female sexuality and the issue of consent which resonates in this post #Metoo era; while “Queer,” starring Craig and Drew Starkey, challenges preconceived notions around homosexuality, masculinity and self-acceptance.

Kidman, who previously delivered memorable performances in sexually charged movies such as ”Eyes Wide Shut” and “The Paperboy,” said at the film’s Venice press conference that Reijn’s “female gaze” guided her to tell a story that is “liberating for women,” as touches on many topics, including “marriage, truth, power, consent.” In “Babygirl,” she plays a high-powered CEO who puts her job and picture-perfect family on the line when she engages into a torrid affair with an intern (Harry Dickinson), who taps into her darkest fantasies. “It’s told by a woman, through her gaze — Halina [Reijn] wrote it and she directed it — and that’s to me what made it so unique because suddenly I was going to be in the hands of a woman with this material.

It was very dear to our shared instincts and very freeing,” Kidman said at the presser. As Venice programmer Alberto Barbera points it out in an interview with Variety, the.

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