‘Firebrand’ Review: Alicia Vikander And Jude Law In The First Movie About Henry VIII With A Feminist POV – Cannes Film Festival

Spotify’s breakup with Prince Harry and Meghan Markle, a new report alleges that Markle’s interviews for her “Archetypes” podcast were not conducted by her.Podnews reported that some of the show’s interviews were done by members of the duchess’ staff — and audio of her voice asking the questions was clipped in later.The Post has reached out to representatives for Markle and Archewell Audio for comment.The revelations come shortly after Spotify and Archewell said in a joint statement to The Post that they have “mutually agreed to part ways and are proud of the series we made together.”A source previously told The Post that the Archewell media company launched by Harry, 38, and Markle, 41, didn’t produce enough content to receive the full payout of the $20 million deal they agreed to in 2020.However, “Meghan is continuing to develop more content for the ‘Archetypes’ audience on another platform,” an Archewell Productions spokeswoman told the Wall Street Journal.Sportswriter and podcaster Bill Simmons slammed the couple in the wake of the fractured deal, saying he once met with Harry about podcast ideas and calling the pair “f–king grifters” in Friday’s episode of his namesake podcast.Speculation that Markle doesn’t directly interview her guests started circulating when writer Allison Yarrow shared on Instagram in August that she was “excited to be included in the visionary series.”Yet the post showed Yarrow posing in front of a sign for the audio production house Gimlet Media — and included thanks to an “Archetypes” producer for being “an excellent interviewer.”Yarrow — author of “90s Bitch: Media, Culture, and the Failed Promise of Gender Equality” — appeared on the podcast in an episode titled “To ‘B’ or Not To ‘B,’ ” in

Bonnaroo last weekend.A new iPhone feature caused chaos on the first day of the Tennessee festival on Thursday, June 15, placing multiple accidental calls to emergency services.Police in Manchester shared details on Twitter, explaining that the calls were due to a malfunction with the iPhone’s feature, which automatically sends an alert to emergency services if it detects that the user has been involved in a crash.“MPD has responded to multiple accidental 911 calls at Bonnaroo,” the Facebook post reads. “It’s likely that these calls are a result of ‘Crash Detection Mode,’ a new feature on Apple iPhones.” “Please be mindful and consider deactivating this feature on your phone until Bonnaroo concludes,” the post concluded.According to the Apple website, when your iPhone detects a severe car crash, it will display an alert and will automatically initiate an emergency phone call after 20 seconds, unless you cancel.

co-hosting the long-running game show alongside Mayim Bialik since the late, great Alex Trebek passed in November 2020.However, Jennings said he wouldn’t have picked himself for the job if he was in charge of casting for the series.He told Utah outlet Deseret News recently that while hosting the show is his “dream job,” he would have picked someone else for the position. “If I were hiring for that job, I would go with a sturdy broadcaster with decades of experience, not just somebody who happened to be good at the show many years ago,” the Washington native confessed.

Brian Steinberg Senior TV Editor Sirens appear to be flashing around an attempt to revive one of the biggest law-enforcement reality series launched in recent years. A New York judge has denied a motion to dismiss a copyright suit against the producers of a successor program to the once-popular series “Live PD,” ruling that A+E Networks, the show’s original distributor, may continue in its quest to seek claims of copyright infringement, trademark infringement, and unfair competition against the Reelz cable network’s show, “On Patrol: Live.” “A wise man once observed, ‘If you can’t imitate him, don’t copy him,”” wrote Katharine Polk Failla, a judge hearing the case in U.S. District Court in the Southern District of New York. “The fine line between permissible imitation and wholesale duplication is at the heart of this lawsuit.”

. It’s ketchup versus mayo. A blue dress versus a gold one.

Saturday was the UK's hottest day of the year so far, the Met Office confirmed as sunny skies and high temperatures are set to stay across Greater Manchester over the Bank Holiday weekend.

Nick Vivarelli International Correspondent Italy’s RAI Cinema, which has four titles in this year’s Cannes selection, has closed a deal on Ron Howard’s next movie “Origin of Species,” a hot project at the Cannes market starring Daisy Edgar-Jones, Ana de Armas, Jude Law and Alicia Vikander. RAI Cinema chief Paolo Del Brocco said the company – which is the film arm of Italian state broadcaster RAI – has teamed up with Rome-based Lucisano Media Group to acquire Italian rights from CAA Media Finance on Howard’s survival thriller penned by Noah Pink (“Tetris”) about a a group of eclectics who turn their backs on civilization and head to the Galapagos. In Cannes, RAI Cinema also picked up Italian rights from Gaumont on family movie “Moon The Panda,” by French humans and animals adventures specialist Gilles de Maistre, known for “Mia and the White Lion”and “The Wolf and the Lion.” De Maistre’s latest, about the friendship between a boy and a panda, is set to shoot later this month in China’s Sichuan mountains.

It’s widely know that Henry VIII, the Tudor king, had a particularly grim batting average when it came to matrimony.

Everything did not come up smelling like roses for Jude Law‘s latest role.

 like roses for Jude Law's latest role. The two-time Oscar nominee is set to star as King Henry VIII in Karim Aïnouz's opposite Alicia Vikander, who will portray Catherine Parr, the last of Henry's six wives. To physically portray Henry in his final years, Law sought the help of a perfumer to give himself a realistic — and seemingly awful — scent as the ailing king. «I read several interesting accounts that — at this period — you could smell Henry three rooms away because his leg was rotting so badly and he hid it with rose oil,” Law said during a press conference at the Cannes Film Festival on MondayI just thought it would have a great impact if I smelt awful.»As a result, a perfumer created a custom concoction to fit the bill.

Cannes Film Festival comes to a close on Saturday and you can feel it. Things are starting to slow down, standing ovations aren’t as long and those on the Croisette are starting to get tired. Beloved filmmaker Wes Anderson debuted his latest feature, “Asteroid City,” on Wednesday and the reaction was more muted than the reception to “Killers of the Flower Moon” or even the more mixed “Indiana Jones and the Dial of Destiny.” TheWrap’s Steve Pond emphasized the whole did not live up to the sum of its parts, despite pristine craft as always.

Fresh off the debut of “Firebrand,” it appears that acclaimed filmmaker Karim Aïnouz has already lined up his next film, “Rosebushpruning.” And as you might expect, he’s already landed an incredible cast to lead the feature. According to The Match Factory and MUBI, Karim Aïnouz’s next film will be titled “Rosebushpruning,” and it will be a remake of the classic Italian film, “Fists in the Pocket.” Exact details about the plot are unknown, but if it follows ‘Fists,’ which was directed by Marco Bellocchio, the film will tell the story of a family dealing with various medical conditions and the effect it has on their relationships.

Kristen Stewart, Josh O’Connor and Elle Fanning are to lead The Match Factory and Mubi’s Rosebushpruning from Firebrand director Karim Aïnouz.

for minutes of applause. So entrenched is this French farce that trade publications routinely time the euphoria and judge the response to the new films based on the length of the cheering at the Grand Théâtre Lumière. Cannes’ longest-ever roar? Guillermo del Toro’s “Pan’s Labyrinth,” which premiered there in 2006, at 22 minutes. This year’s fest is in full swing, and so is the ceaseless hand-slapping.Here are Cannes’ standing ovations so far, from triumphant to tepid.The most ecstatic response to a film so far at this year’s festival, which runs until May 27, was for Martin Scorsese’s latest drama. The historical movie from Apple and Paramount brings together two popular Scorsese stalwarts, Leonardo DiCaprio and Robert De Niro, plus last year’s Best Actor Oscar winner Brendan Fraser and Jesse Plemons.

Jeremy Strong's commitment to playing Kendall Roy on Succession has led to repeated debates about the merit behind the practice and the toll it can take on an actor's health. Brian Cox has been a frequent critic of the method, claiming it led to Daniel Day-Lewis burning out but many of the very best throughout Hollywood's history have used the technique. The modern method approach to acting is generally credited with being popularised by Marlon Brando who requested to have a bucket of ice water thrown over him during his first Broadway play to make him look like he had actually been thrown in an icy lake.

Jude Law and Alicia Vikander step out for the photo call in support of their new movie Firebrand during the 2023 Cannes Film Festival.

Jude Law and Alicia Vikander step out for the photo call in support of their new movie Firebrand during the 2023 Cannes Film Festival.

According to weather reports, this week, temperatures in the UK will be higher than in Malaga, Spain. According to the Met Office, parts of the country are set to bask in 25C heat this week - while the capital of Spain's Costa del Sol, the mercury is forecast to sit around 23C.

Firebrand,” a historical drama that follows the marriage of the king and Queen Catherine Parr, his sixth and final wife — played by Alicia Vikander.In order to get into the role, the actor had a repulsive perfume blended from “blood, fecal matter and sweat” specially made to wear while shooting the movie.“I read several interesting accounts that you could smell Henry three rooms away. His leg was rotting so badly.

Brent Lang Executive Editor When his agent first suggested that Karim Aïnouz direct an adaptation of Elizabeth Fremantle’s “Queen’s Gambit,” a historical novel about Katherine Parr, the sixth and final wife of Henry VIII, he thought she was joking. The Brazilian director of “The Invisible Life of Eurídice Gusmão” wasn’t a natural choice to bring 16th century England to life on screen. For one thing, Aïnouz didn’t really know anything about the oft-married monarch. “I could barely identify who Henry VIII was, and I’m not into the monarchy,” he says on the eve of the Cannes premiere of “Firebrand,” the movie he made from Fremantle’s book. “I’m not into British history. I was very puzzled.”

CANNES – Henry VIII was a bad, bad, bad man. The 16th Century King of England notoriously beheaded two of his six wives, divorced another two, and saw another die during childbirth.

Of King Henry VIII’s six wives, his final marriage to Catherine Parr is perhaps the most ignored. The others are rife with tragedy: there are the two he detested the most that he bent the will of God to legalize divorce; there’s Jane Seymour, who died soon after giving birth to an heir; and most notoriously of all, there are the wives he beheaded.

Jude Law wore a horrifying concoction of scents, a pungent blend of “blood, fecal matter and sweat,” to play Henry VIII in “Firebrand,” a historical drama about the final days of the king and his sixth and last wife Katherine Parr. “I read several interesting accounts that you could smell Henry three rooms away. His leg was rotting so badly. He hid it with rose oil,” Law said at Monday’s Cannes Film Festival press conference for “Firebrand,” which debuted at the Palais a day prior. “I thought it would have a great impact if I smelt awful.” So, he went to perfume specialist to create a custom, revolting blend of smells. “She makes wonderful scents, and she also makes awful scents. She somehow came up with this extraordinary variety of blood, fecal matter and sweat.”

So, Jude Law, when do you really think of the British monarchy after playing one of the worst kings in history, the wife slaying, Henry VIII, in Firebrand?

The 76th annual Cannes Film Festival brought Hollywood's biggest movie stars to France to showcase the hottest up-and-coming flicks. While cinema was the reason for the season, fashion kept the red carpet buzzing as barely-there ensembles ruled the Palais des Festivals. Irina Shayk stood out from the crowd wearing a unique black leather strap fashioned into a crop top with a matching skirt at the "Firebrand (Le Jeu De La Reine)" premiere.

Gigi Hadid and Irina Shayk had heads turning at the 2023 Cannes Film Festival this weekend!

Alicia Vikander and Michael Fassbender looked all loved up on the red carpet for the premiere of her new movie, Firebrand.

Jude Law and Alicia Vikander led stars on the red carpet at the Cannes Film Festival ahead of the premiere of their new film Firebrand. The historical drama, based on Elizabeth Fremantle’s 2013 novel Queen’s Gambit, explores the life of Catherine Parr – the sixth and final wife of Henry VIII. Law stars as the notorious King of England while Oscar-winning actress Vikander plays Parr in the film which is the English-language debut for its director, Brazilian filmmaker Karim Ainouz.

Alicia Vikander was greeted with an eight-minute standing ovation at the May 21 Cannes premiere of Brazilian director Karim Aïnouz’s “Firebrand,” from a crowd that included best actress Oscar winners Michelle Yeoh and Marion Cotillard.With her husband Michael Fassbender beaming on from the row behind, Vikander motioned for the cheering audience to stop or she would cry. But then she gave into the adulation and blew kisses to the upper balconies Vikander’s co-star Jude Law and Aïnouz also got huge applause. Vikander joins a group of Cannes leading ladies including Lily Gladstone, Natalie Portman and Julianne Moore who have turned in show-stopping performances.

Sunday night at the 76th Cannes Film Festival was all about the world premiere of the Jude Law and Alicia Vikander Henry VIII period pic Firebrand, which received a royal response from the crowd in the Grand Theatre Lumiere with an eight and a half minute standing ovation.

Cannes Film Festival, Henry (Jude Law) is away in France with his army and Catherine takes the opportunity to ride off to a mossy forest for secret meetings with Anne Askew (Erin Doherty), a childhood friend who is now preaching revolt against a new law that has banned English-language Bibles and returned authority to Latin-reading priests. Compared to her radical friend, Catherine appears to be a cowed, abused wife.

Peter Debruge Chief Film Critic Tudor, or not Tudor. That is the question in “Firebrand,” a revisionist royal portrait of Henry VIII’s last wife, Katherine Parr (played here by Alicia Vikander), that features all the pageantry you’d expect from a lavish costume drama, while showing the ahistorical audacity to call “Time’s Up” on the gluttonous king (Jude Law). Never mind that Henry VIII died — of very different causes than the movie depicts — all of 476 years ago. When it comes to art, there’s no statute of limitations on taking toxic masculinity to task, which can be both encouraging (since history has excused no shortage of monsters) and frustrating. There’s a big difference between exposing the truth and rewriting what came before to suit a contemporary political agenda, the way this movie does. Liberally adapted from Elizabeth Fremantle’s fast-and-loose historical fiction “The Queen’s Gambit,” director Karim Aïnouz’s tony British production needn’t try hard to demonstrate that Henry was a notoriously bad husband.

EXCLUSIVE: The rain in Cannes managed to stop for a few hours on Saturday when Ashok Amritraj’s Hyde Park International hosted an exclusive event for buyers on the Croisette for its upcoming project Night Boat to Tangier, with Michael Fassbender, Alicia Vikander, director James Marsh and producers Andrew Eaton and Conor McCaughan all in attendance for the intimate event.

It’s a solemn command from Firebrand’s first assistant director Lydia Currie: “When you bow to the king, bow straight down,” she announces. “Don’t look at him; you’ll get your head cut off.” The fearsome monarch Currie is referring to is Henry VIII, and on this particular day, Jude Law’s king is in an ax-swinging mood. The background artists on Karim Aïnouz’s set comply to orders and stare down at their toes. Before them, seated on thrones arranged on a raised plinth, is the potentate in question, and Katherine Parr, his queen.

Manori Ravindran Executive Editor of International In Britain, schoolchildren learning about Tudor history are taught a handy rhyme to remember the order of King Henry VIII’s six wives: “Divorced, beheaded, died. Divorced, beheaded, survived.” Hollywood has for decades been transfixed by the “beheaded” and “died” bits — essentially, the stories about women suffering — but what moviegoers are rarely reminded of is the wife who outlived Henry. In Karim Aïnouz’s hotly anticipated “Firebrand,” it’s the notorious Tudor king’s final companion, Katherine Parr, who finally takes center stage. “What’s mostly been dramatized are the wives who didn’t make it,” says Swedish star Alicia Vikander, who plays the surviving queen opposite Jude Law’s ailing monarch. “[When I read the script] I immediately thought, ‘Huh, isn’t it interesting that most people know more about the other wives.’ It’s almost like people are drawn to quite grim stories.”

Firebrand,” a period drama about Katherine Parr, the sixth and final wife of Henry VIII, has sold out internationally ahead of its world premiere on Sunday. Sources tell Variety that the film has sold into STXInternational for the U.K. and to Sony Pictures for most other overseas markets. FilmNation has sold remaining international markets to independent international distributors. In the U.K., Variety understands that Prime Video is in the process of buying the film from STX. This could mean that STX is handling a theatrical release, while Prime Video takes the film for streaming, or that the streamer will also handle theatrical in the territory. Sources indicate that Prime Video is also picking up streaming rights in a number of other international markets.