Tomris Laffly A scrapbook collection of serene, observational moments in search of a story, “Blood” runs deep, but only with obscure meaning, so opaque at times that its essence feels unreachable.
Writer-director Bradley Rust Gray’s first feature in a decade offers some modest rewards to patient viewers up for a challenge, but this good-natured study of a young widow’s new chapter in life is finally too understated to leave a memorable trace.Premiering in this year’s U.S.
Dramatic Competition at Sundance, “Blood” is exactly the type of unstructured, casually paced indie that requires the immersive experience of the movie theater: dark, big and distraction-free.
The irony, of course, is that’s a hard sell these days to spectacle-seeking ticket buyers. Beyond the festival circuit, the film could find a small, committed audience on streaming platforms.
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