Jon Burlingame editor Writing new music for the “Star Wars” universe would be daunting for any composer, considering its iconic scores by the legendary John Williams.
Luckily for “Andor” composer Nicholas Britell, writer-producer Tony Gilroy and Lucasfilm president Kathleen Kennedy gave him “total freedom” to imagine a new, totally unique soundscape for the backstory of Cassian Andor (Diego Luna), the rebel spy first encountered in the 2016 film “Rogue One.” So, unlike “Obi-Wan Kenobi,” the “Star Wars” series for which Williams wrote a new theme earlier this year, there isn’t a note of Williams music in “Andor,” which launched a 12-episode run last Wednesday on Disney+.
Under a veil of secrecy, Britell — the three-time Oscar nominee and Emmy winner for “Succession” — began talking with Gilroy during the spring of 2020, before shooting even began. “The first thing we started working on was the on-camera music,” Britell tells Variety. “The Morlana club music you hear in the very beginning, that’s just me creating all that.
We figured out the sound of the Beskar steel and the Time Grappler [who appears in episode 2], and then in episode 3, the alarm signaling is a whole percussion piece.
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