William Earl administrator Barnaby Clay is a true Renaissance man. Having directed short films (“Carousel” with Chloë Sevigny, “Sickdog” with Natasha Lyonne), music videos for artists ranging from David Bowie to Rihanna, a feature-length documentary on photographer Mick Rock, and even launched a visual art installation with Danger Mouse and his wife, Yeah Yeah Yeahs rocker Karen O, he is no stranger to expanding his creativity into different mediums.
Yet his newest frontier is feature-length narrative filmmaking, and his debut, the horror film “The Seeding,” expands on the striking imagery of his past work.
The plot follows a man (Scott Haze) trapped in the desert, being taken care of by a mysterious woman (Kate Lyn Sheil), who may have an insidious agenda for keeping him safe from the roving gang of teens that are trapping him there.
The gorgeous and claustrophobic desert setting is the movie’s key special effect, as Clay keeps things bleak due to the harsh environment and limited interaction the protagonist has with people outside of this odd community.
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