If the mostly by-the-numbers plot of “The Invitation,” and its eventual ridiculous twist, is tolerable at all, it’s due to the effortless effervescence that star Nathalie Emmanuel lends to this modern-day horror with gothic embellishments, as a mix-raced woman barely getting by in NYC who gets to live a British royal fantasy until it turns into a literal bloody mess.
Invoking “Twilight” and “Beauty and the Beast” with watered-down hints of “Crimson Peak,” the new feature from director Jessica M.
Thompson (“The Light of the Moon”) opens with a suicide scene that insinuates the timelessness of its story. It’s here that its efforts to misdirect the audience about the type of supernatural entity we are dealing with begin.
In a more recognizable present, Evie (Emmanuel), a ceramics artist that stays afloat through catering jobs, takes a DNA test that connects her with a (white) cousin in England, Oliver (a weaselly Hugh Skinner), she had never heard about before.
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