‘The Good Nurse’ Film Review: Jessica Chastain Catches a Killer in Tense Medical Mystery

Alana De La Garza is just like Us! She may be busy fighting crime on screen, but at home, she’s focused on being the best mom and wife she can be.

Naga Munchetty turned to her fans for advice on Sunday, after encountering a bit of a dilemma. The presenter asked her followers on Twitter what she should do after her cat brought a bat into her home the previous day.SEE: BBC Breakfast star Naga Munchetty ends interview after guest makes major faux pasShe wrote: "Does anyone know how to get a bat to safety? [bat emoji]. "Cat brought one in yesterday.

Libra loneliness: Bruce Springsteen. “The Boss,” American Autophiles and sentimental gear heads alike can rejoice, our love of wheels and metal will be anointed on October 2 with the arrival of National Name Your Car Day.According to National Today, the holiday, “pays homage to those of us who love our rides so much — we name them.”I’ve had many a make out and a breakdown, miles and memories in cars with names and models as varied as a rusted out diesel Mercedes called Raspberry Beret, a Volvo SUV called Coco Caine, a GMC Sonoma who goes by Goldie Hawn and a 1990 Doge conversion van named Aunt Flo.

Collider in 2020, would’ve had Constantine trying to identify a prisoner who turns out to be a reincarnation of Jesus Christ. Reeves will next be seen in “John Wick: Chapter 4” and will star in the Hulu series “Devil in the White City.” He also recently voiced Batman in Warner Bros.’ “DC League of Super-Pets” and reprised his role as Neo in “The Matrix Resurrections.” Lawrence is currently filming the next “Hunger Games” movie “A Ballad of Songbirds and Snakes,” which should arrive next year and is a prequel to the original “Hunger Games” franchise.

A new “Karate Kid” movie is in the works and has been dated for a release by Sony’s Columbia Pictures for June 7, 2024. No new details were shared about the film currently in development other than that it is a return of the original “Karate Kid” franchise. The original film from 1984 starred Ralph Macchio and Pat Morita and spawned two sequels with Macchio, a fourth film in 1994 “The Next Karate Kid” with Morita and Hilary Swank, and a remake in 2010 with Jackie Chan and Jaden Smith.

Jem Aswad Senior Music Editor Though she’s just 22, Noah Cyrus has seen some stuff. As Miley’s younger sister, her music and acting careers launched early — at 16 and 2 (!), respectively — and she released several pop-leaning singles and EPs during her teens, opened an arena tour for Katy Perry in 2017 and was even nominated for a Best New Artist Grammy in 2021. On the less positive side, there was substance abuse, a bad relationship and lockdown isolation — but she overcame all of it, and that battle informs nearly every song on “The Hardest Part,” her long-percolating debut album, which sees her truly finding her voice in a way that her previous recordings only hinted at. Surprisingly or no, the Nashville native did it by returning home, musically speaking. Although her main collaborators here are Northern Irish producer Mike Crossey (Arctic Monkeys, the 1975) and Australian songwriter PJ Harding (Chromeo, Ruel), the sound is country-leaning, heavy on harmonies, organic instrumentation and Music Row-friendly melodies; its big, stacked harmonies recall everything from the Chicks to Boygenius.

EJ Panaligan editor NewFest, a New York-based LGBTQ+ film festival, has announced the full lineup for its 34th iteration. The 2022 edition will run from Oct. 13 to Oct. 25. With world, North American, U.S. and New York premieres for more than 130 films from 23 countries, the festival will be headlined by the world premiere of HBO documentary “Mama’s Boy” from Laurent Bouzereau as the opening night screening. Additionally, the festival will hold an advance screening for the Season 2 premiere of popular HBO series “The White Lotus.” Other high-profile screenings through the festival’s run include Michael Grandage’s love triangle film “My Policeman,” starring Harry Styles and Emma Corrin, and the stop-motion horror comedy “Wendell & Wild,” from writer-director Henry Selick. Jordan Peele co-writes, while also featuring in a lead voice role. Keegan-Michael Key inhabits the film’s other lead voice role, marking a “Key & Peele” reunion on the animated stage between the two longtime collaborators.

Macro, the Oscar-winning film studio founded by Charles D. King, is getting into business with Amazon. Under the new deal, Amazon Studios has first look on feature film projects from the Judas and the Black Messiah producer, which intends to develop, package and produce for Prime Video. The  OTT service has a footprint in 240 countries around the globe.

Angelique Jackson Amazon Studios and Macro Film Studios have partnered for a new endeavor — a multiyear first-look film deal. Under the new pact, Amazon Studios will have first rights to feature film projects Macro will develop, package and produce for Prime Video, which is available in more than 240 countries and territories worldwide. News of the partnership was announced by Amazon Studios head Jennifer Salke, as well as Macro founder and CEO Charles D. King and Macro Film Studios president James F. Lopez. “With our ongoing goal to share MACRO Film Studios’ premium and acclaimed content to a global audience, there really is no better partner than Amazon Studios,” said King and Lopez in a joint statement. “Their reach extends to a national and international core and they are known the world over for a business acumen and long-horizon strategic thinking that is simply unmatched. We believe we will do great things together.”

Oscar-winning filmmaker Laura Poitras sharply criticized the Toronto and Venice film festivals today for programming documentaries connected with former Secretary of State Hillary Clinton, suggesting the decision bordered on a “whitewashing” of history.

Adam Benzine Guest Contributor Oscar-winning documentarian Laura Poitras slammed the heads of the Venice and Toronto film festivals for “engaging in a kind of whitewashing” by programming glossy documentaries from the Clinton family. Her comments come as TIFF this week hosted the Canadian premiere of Poitras’s “All the Beauty and the Bloodshed,” a documentary about the artist and activist Nan Goldin, and just days after the film won Venice’s top prize, the Golden Lion. It is the rare doc to land slots at the superfecta of Venice, Telluride, Toronto and New York, and Poitras said she thought “long and hard” about whether or not to voice criticism at the same venues feting her latest work. Nevertheless, she said, “journalists need to ask hard questions.”

It would be empty hyperbole to declare Eddie Redmayne our worst living actor; in all likelihood, the honor belongs to someone nobody’s ever heard of, so bad that they never became famous in the first place. But in Tobias Lindholm’s new drama “The Good Nurse,” Redmayne still makes a bold argument for some qualified version of the statement.  During the early stretches that see him in one of his two settings as a performer – so anemic and withdrawn that he appears to be trying to stop existing – one might wonder whether he’s merely the worst of his Hollywood class.

Jodi Benson is sending love to Halle Bailey, from one Ariel to another! The voice actress who provided the voice of Ariel in the 1989 animated film, “The Little Mermaid“, shared her praise for the 22-year-old after Walt Disney Studios dropped the trailer for its live-action adaptation during this year’s D23 Expo.

Global anime destination Crunchyroll will release the anticipated One Piece Film Red in the U.S. and Canada on Nov. 4.

Jessica Chastain and Eddie Redmayne passed through the Toronto Film Festival Monday morning where they discussed their true-crime thriller The Good Nurse.

Brent Lang Executive Editor It was supposed to be all about the movies. But even here at the Toronto International Film Festival, an ocean away from the United Kingdom, the death of 96-year-old Queen Elizabeth II has loomed large. It has provided an opportunity for festival organizers, filmmakers and talent to reflect on the life and legacy of a monarch whose 70-year reign ranks as the longest in her country’s history. That’s partly due to Canada’s status as a member of the British Commonwealth, but it’s also because the festival is such an international A-list affair, one that attracts movie stars and directors who have often had personal encounters with the queen.

It would be empty hyperbole to declare Eddie Redmayne our worst living actor; in all likelihood, the honor belongs to someone nobody’s ever heard of, so bad that they never became famous in the first place. But in Tobias Lindholm’s new drama “The Good Nurse,” Redmayne still makes a bold argument for some qualified version of the statement.  During the early stretches that see him in one of his two settings as a performer – so anemic and withdrawn that he appears to be trying to stop existing – one might wonder whether he’s merely the worst of his Hollywood class.

Jessica Chastain and Eddie Redmayne are stepping out for the premiere of their new movie!

Tomris Laffly During a career of 16 years that spanned numerous East Coast hospitals since the late ‘80s, real-life nurse Charles Cullen confessed to murdering at least 29 patients with a fatal cocktail of drugs he dripped into his victims’ bloodstream. That figure was only his confirmed body count, however. As a title card suggests at the end of Tobias Lindholm’s shrewd and absorbing drama “The Good Nurse” — a Netflix original that just premiered at Toronto — the real number of his victims was predicted to be as high as a blood-curdling 400. Hopping from one job to the next, the serial killer went undetected by the authorities, with his connection to the unusual deaths remaining as an open-secret suspicion at every facility he worked at. In order to avoid legal ramifications, none of the hospitals reported him — they just made him someone else’s problem, as the story of any corrupt institution goes.

First a little warning. I had the good fortune to see The Good Nurse knowing absolutely nothing about it except it was a Netflix movie starring Jessica Chastain and Eddie Redmayne. I had no idea which one was even ‘the good nurse’ of the title, and I was not familiar with the book it is based on, or even the fact it is actually a true story. For all I knew it was like a female version of Freddie Highmore in The Good Doctor. Netflix set up a screening for me at a local screening room. I sat by myself for two hours stunned by what I was seeing slowly take place, a turn of events I did not see coming as I realized I had the same experience in some ways as a viewer as Chastain’s character, Amy Loughren had in real life.

really glad we came to Toronto!” said Spielberg, who’s been making movies for more than 50 years but said he’d never before brought a film to the festival.The lack of social distancing and the paucity of masks may have repercussions down the road, but it gave the festival’s first few days an exuberance that was sorely missed in 2021, when a scaled-down TIFF was a little depressing except when you were able to lose yourself in the films. (The previous year, the festival had been all-virtual, apart from some special screenings for locals only.)People came to this year’s festival badly wanting to celebrate, and so far the fest seems programmed to let them do just that, with an unexpectedly large number of mainstream crowd-pleasers screening in prime slots over the first four days.

King Charles III, who arranged to visit his wife before she died from lung cancer last year. Joan Washington, who was a voice coach to celebrities including Penelope Cruz and Jessica Chastain, died in September last year at the age of 74. Swazi-English actor Grant, whose wife died eight months after she was diagnosed with lung cancer, praises the new King in his forthcoming memoir, A Pocketful Of Happiness.

Studio sponsors include GreenSlate, Moët & Chandon, PEX and Vancouver Film School.

Clayton Davis Almost 30 years after “The Nightmare Before Christmas” (1993), Henry Selick returns with “Wendell & Wild,” another stop-motion animated sensation that’s sure to generate acclaim throughout the industry. Co-written by Oscar-winning screenwriter Jordan Peele, the Netflix feature film debuted at the Toronto Film Festival and may have asserted itself as the new frontrunner for best animated feature. Based on Selick and Clay McLeod Chapman’s unpublished book of the same name, the film tells the story of two scheming demon brothers, Wendell (Keegan-Michael Key) and Wild (Peele), who enlist the aid of a 13-year-old Kat (Lyric Ross) to summon them to the Land of the Living. It also features the voice talents of Angela Bassett, James Hong and Ving Rhames.

Deadline’s studio at the 2022 edition of the Toronto Film Festival continued with Day 2 by hosting fest-goers such as Viola Davis and John Boyega from The Woman King; Sterling K. Brown from Biosphere; Lily James from What’s Love Got To Do With It? and Eddie Redmayne from The Good Nurse. Click on the photo above to launch the gallery.

William Earl One of the biggest crowdpleasers of the Toronto International Film Festival has arrived. “The Menu,” a high-class horror comedy written by Seth Reiss and Will Tracy and directed by Mark Mylod, held its rollicking world premiere at the Royal Alexandra Theatre on Saturday. Mylod, the in-demand TV director who has helmed key episodes of “Game of Thrones,” “Shameless” and “Succession,” leaned on the satirical world of the latter series in this black comedy lampooning fine dining, foodie culture and the ultra-rich. Anya Taylor-Joy continues her scene-stealing career as Margot, a cuisine novice who agrees to join obnoxious Tyler (Nicholas Hoult, as infuriating and pathetic as he is on “The Great”) at a hyper-expensive, once-in-a-lifetime meal prepared by the intimidating and legendary Chef Slowik (a devilish Ralph Fiennes) at his private island restaurant. Although the menu is rumored to be legendary, there is, of course, more in store for the diners than meets the eye.

Disney’s movie and television studios including Marvel Studios, Lucasfilm, Walt Disney Studios, Pixar and Walt Disney Animation Studios, 20th Century Studios and Disney Branded Television revealed plenty of news at the D23 Expo, which ran September 9-11 at the Disneyland-adjacent Anaheim Convention Center.

Guy Lodge Film Critic If you found yourself wide awake in the wee small hours with personal demons rattling in your brain, and you picked up the phone to share them with a patient, neutral stranger, Tessa Thompson’s measured, calming voice is more or less exactly what you’d hope to hear on the other end of the line. As Beth, a night-shift volunteer for a crisis helpline, the actor’s naturally gentle, benevolent presence is the chief asset of Steve Buscemi’s minor-key chamber drama “The Listener” — not that she has a host of elements to compete with in what amounts, on screen at least, to a one-woman show.  Thompson’s unforced credibility isn’t shared, however, by a flat, superficial script that treats an assortment of mental health ailments as quirky conversation fuel. Each anguished call that Beth takes, over the course of one long, dark night of assorted souls, is written less like a recognizable human exchange than as an actor’s heightened audition piece, and played out as such by a voice-only ensemble stacked with distractingly recognizable names. Though the global pandemic is only incidentally mentioned, “The Listener” plays in all aspects like a project conceived in the most self-searching and self-indulgent depths of the isolation era. It’s hard to imagine audiences wanting to enter that headspace now.