‘The Invitation’ Review: Numbingly Predictable Horror Thriller Packs a Few Last-Minute Twists
Joe Leydon Film Critic Despite some ambitious efforts by director Jessica M. Thompson and screenwriter Blair Butler to revitalize hoary horror movie tropes with allegorical commentary on race, class and male privilege, “The Invitation” is too wearyingly hackneyed for too much of its running time, and too often laugh-out-loud funny as its plot relies on the age-old convention of a smart yet naive heroine who makes one bad decision after another. It would not be at all surprising if, at some screenings, exasperated members of the audience shout rude things at the screen each time the endangered protagonist fails to act in her own self-interest. Evelyn (Nathalie Emmanuel of “Game of Thrones”) is a free-spirited twentysomething New Yorker who insists that everyone, even total strangers, call her Evie — and she insists quite frequently, just so we don’t miss the fact that she is indeed a free spirit — and scrapes by as wait staff at catered affairs while trying to fulfill her artistic ambitions creating ceramics. When she helps herself to a swag bag at a swanky affair for Find Yourself (evidently an upscale version of Ancestry.com), she finds a DNA test among the goodies and opts to investigate her family tree. This, of course, is the first of many mistakes.