Andrew Barker Senior Features WriterWell, they made a sequel to “The Boss Baby.” The 2017 DreamWorks film, extremely loosely based on Marla Frazee’s children’s book series, bet big on the appeal of a dyspeptic, super-intelligent, black-suited infant speaking with the voice of Alec Baldwin while doing un-babylike things, and it was a bet that paid off handsomely, to the tune of half a billion in worldwide box office and an Oscar nomination.
Arriving in theaters earlier that initially planned, with a simultaneous streaming bow on Peacock, “The Boss Baby: Family Business” is making a similarly big bet that family audiences, otherwise bereft of new attractions, are ready to return to theaters.
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