A rather pedestrian presentation of a potentially fascinating story, Vanessa Lapa’s “Speer Goes to Hollywood” expands on a little-known footnote to the Hydra-headed history of the post-war fates of top Nazi lieutenants.
It is based on the 1972 recordings of conversations between Albert Speer, Hitler’s architect, friend and wartime munitions minister, and screenwriter Andrew Birkin (the Kubrick protegé who co-wrote “The Name of the Rose” and directed “The Cement Garden”) as they collaborate on a screenplay based on Speer’s memoir “Inside the Third Reich.” But Lapa’s embellished archival doc falls some way short of the cinephile/history lover’s catnip that tantalizing summation promises.
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