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‘Sisterhood’ Review: A Dark, Moody Coming of Age for the (Anti)Social Media Generation

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variety.com

Jessica Kiang Every generation rolls their eyes at the one after (who inevitably roll theirs back), but the striking thing about Dina Duma’s “Sisterhood,” which plants its eerily atmospheric growing-pains drama deep into Macedonian Gen-Z culture and lights it up with phone screens and insta posts, is how depressingly little the pressures of coming of age have changed.

For girls especially, the narrow, rocky pass between “virgin” and “slut” is as treacherous ever, only now it can cave in with a click.

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