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'Run Hide Fight': Film Review | Venice 2020

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hollywoodreporter.com

It's been 17 years since Gus Van Sant stunned and polarized audiences with Elephant, his transfixing, oddly lyrical response to the Columbine High School massacre of 1999, a national tragedy now almost normalized by the sickening frequency of mass shootings that have continued to stain American soil.

A number of films in the years since have reflected on school shootings in provocative ways, among them We Need to Talk About Kevin, And Then I Go and Vox Lux.

What's most notable about Kyle Rankin's slick and compulsively watchable genre entry Run Hide Fight is the utter shallowness of its psychological perspective.

Sure, there's a passing reference to the ease with which malcontent teenagers can obtain guns and explosives, and the brains.

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