George Harrison: Celebs Rumors

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Beatles tribute concert at cathedral triggers audience walkout over “wall of noise”

Beatles tribute concert led to concertgoers walking out of the venue, according to new reports.The gig took place at the 1,000-year-old Winchester Cathedral, and saw numerous attendees leave the event early due to the “deafening acoustics” at the venue.Hundreds of people were in attendance to see the “ultimate tribute” to the iconic rock veterans, but reports later emerged that the choice of venue led to a “wall of sound” being created, and the songs becoming indistinguishable from one another.According to a report from GB News, tickets to the event were around £40 per person, and numerous attendees claimed they couldn’t tell which song was playing at the Beatles by Candlelight concert.“We had been looking forward to it for weeks, we were really excited. We thought it would be a really nice evening, but no,” one concertgoer told The Telegraph about the experience.
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The Beatles’ iconic rooftop gig in 1970 ‘Let It Be’ documentary “almost didn’t happen”
The Beatles‘ classic 1970 documentary film Let It Be was premiered in London earlier this week (May 7), before arriving on Disney+. Speaking at the press launch, creators explained how one of the most vital scenes – and significant moments in music history – never happened.The film was screened in front of an audience at the Curzon Mayfair which included original recording engineer Glyn Johns and Giles Martin (son of legendary Beatles producer George Martin, who remixed the music in Let It Be), Louis Theroux, James Bay, The Lightning Seeds frontman Ian Broudie and Captain America and Indiana Jones actor Toby Jones.The documentary, directed by Michael Lindsay-Hogg, was first released in cinemas 54 years ago and has been difficult to obtain since primarily because the original master tapes were stolen from Apple Corps shortly after the film was made.Speaking in a Q&A hosted by former Radio 1 DJ Edith Bowman, Jonathan Clyde producer of the film and director of production at Apple Corps, said: “When we first started talking about [restoring] it with [head of Apple Corps] Neil Aspinall in 2000, he said rather unenthusiastically, ‘I suppose we’d better do something about Let It Be’.“But the problem was that the master sound, that’s 450 to 500, 15 minute reels of master sound from the 20-odd days of shooting, had been stolen from Apple [Corps] in the early ’70s.”He continued: “So in truth, there was not a lot we could do except whoever it was who pilched them was licensing them to bootleggers who were then bootlegging vinyl and CD box sets.
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Worth the wait? The Beatles’ farewell film ‘Let It Be’ hits streaming 54 years later: review
finally available to stream on Disney+ this week.Was it worth the 54-year wait?Well, yes — and no.Some context is needed here first: If you watched “The Beatles: Get Back” — the three-part, eight-hour docuseries directed by none other than Oscar-winning “Lord of the Rings” director Peter Jackson that also premiered on Disney+ in 2021 — you’ve already seen a lot of this.And seen it in the kind of exhaustive detail — from the same footage that Jackson used from “Let It Be” director Michael Lindsay-Hogg — that you can probably break down the level of scruffiness in Paul McCartney’s faux-badass beard.But thankfully — whether or not you’ve already watched the tedious-at-times “Get Back” — this is only 80 minutes versus eight hours of your time.For anyone but the biggest of Beatlemaniacs, that math is math-ing.But here’s the real difference: Whereas “Get Back” captured every bit of Liverpudlian shade, side-eye and Yoko Ono rock-blocking, this “Let It Be” is all about the music that was made in the slow fade of the Fab Four.For most of this film — which documents The Beatles working out songs for what would turn out to be their final album, 1970’s “Let It Be,” in January 1969 — it’s just like being a little four-winged insect on the wall of those sessions at their Apple Corps headquarters in London.Rehearsing, working out songs and just jamming — even with all the mounting tension which is actually more between McCartney and George Harrison than Sir Paul and John Lennon (for all those who still blame Ono for the Beatles’ breakup) — it’s a magical mystery tour behind the scenes of what many consider to be the greatest band of all time.When McCartney and Lennon are in such easy harmony and camaraderie on “Two Of Us” — with the
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‘Baby Reindeer’ creator says he feels sorry for real-life stalker
Netflix hit Baby Reindeer has revealed that he “feels sorry” for the stalker character in the show.The show has been created by comedian Richard Gadd, and is based on his 2019 one-man play of the same name. It depicts a version of the real-life story of his own stalking ordeal.The synopsis clarifies that the show focuses “on struggling comedian Donny Dunn’s (Gadd) strange and layered relationship with a woman named Martha (Jessica Gunning), whose initially friendly demeanour unravels as she begins to stalk Donny relentlessly”.“Their first interaction is innocent enough: While working his shift as a bartender, Donny shows an act of kindness to Martha, a customer whose vulnerability is readily apparent,” the synopsis adds.“But, as the saying goes, ‘no good deed goes unpunished,’ and this casual encounter sparks a suffocating obsession that threatens to wreck both their lives and forces Donny to face his deeply buried trauma.”In a new interview with Variety, Gadd said that he intended to make the Martha character somewhat sympathetic, based on his experiences.“Stalking usually is depicted as someone who is kind of evil, whereas I felt like there was a vulnerable person who genuinely couldn’t stop, who for whatever reason had believed the reality that was inside her head and no matter what couldn’t change from that,” he said.“I mean, it is a mental illness and I wanted to portray that.
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New Beatles book reveals George Harrison’s inspiration to pick up guitar: “I remember going to see Cliff Richard and thinking fuck it – I could do better than that”
The Beatles has revealed George Harrison‘s inspiration to pick up the guitar.Due for release this Thursday (April 11), All You Need Is Love is described as “a ground-breaking oral history of the Beatles and how it all came to an end”.It is comprised of interviews taken from the controversial book The Love You Make (1983), which was written by Steven Gaines and Peter Brown – the personal assistant to Beatles manager Brian Epstein.In one section, Harrison speaks about what first ignited his interest in becoming a musician.“I remember being a kid of about twelve, dreaming of big motorboats and tropical islands and things which had nothing to do with Liverpool, which was dark and cold,” he explained to Brown and Gaines in 1980 (via The Times).“I remember going to see Cliff Richard and thinking fuck it – I could do better than that.”As Guitar.COM notes, this rivalry would eventually encourage Harrison to perfect his guitar playing – with Richard going on to envy the Fab Four’s fame and success.In 1964, the singer responded to The Beatles’ performance on The Ed Sullivan Show by saying: “It’s ridiculous! Has everyone forgotten me? What’s going on?”Despite the competition between The Beatles and Richard, John Lennon reportedly once argued that British music would not have been the same if the ‘Devil Woman’ artist hadn’t come along.“Before Cliff Richard and ‘Move It’, there was nothing worth listening to in England,” he is said to have claimed (via Gold Radio UK).All You Need Is Love also includes the claim that Yoko Ono instructed John Lennon how to use heroin and details a Lennon encounter that made The Rolling Stones’ Mick Jagger feel “uncomfortable”.An official description reads: “Based on never-before-published or heard
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The Post’s official solar eclipse playlist: David Bowie, Pink Floyd, Bonnie Tyler and more
this epic power ballad, which hit No. 1 in 1983, the Welsh belter nailed the galactic pain of when the heart goes totally dark.If you don’t have some Ziggy Stardust up in your eclipse mix, then really, we can’t help you.This jazz- and falsetto-kissed bliss from “Rave Un2 the Joy Fantastic” — the late, great Purple One’s underappreciated 1999 album — is a cosmic chill-out.Of course, Harrison has kept us basking in the eternal glow of “Here Comes the Sun,” off The Beatles’ 1969 classic “Abbey Road.” But 10 years later, he flipped the script with this ethereal dreaminess from his 1979 self-titled album.Going from Policeman to jazzman in his early solo years, Sting worked all of his tantric sexiness on this moonlit serenade from 1987’s “…Nothing Like the Sun.”The “Uptown Funk”-ster breaks out his best street-corner croon on this swoonworthy tune — from “Doo-Wops & Hooligans,” his 2010 debut album — that is all the starry-eyed feels.The sunshine-pop quartet radiate peace, love and celestial on this song, which as part of a chart-topping medley with “Aquarius” won them the Record of the Year Grammy in 1970.On his breakout 1971 hit, Brother Bill captures the pitch blackness — and bleakness — when both his house and heart turn cold “anytime she goes away.”Chris Cornell — one of rock’s all-time greatest voices — left a black hole in the music world when he died in 2017.
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