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Ana De-Armas
Ana Celia de Armas Caso (born 30 April 1988) is a Cuban actress. She began her career as a teenager in her native Cuba and most notably had a leading role in the romantic drama Una rosa de Francia (2006). At the age of 18, she moved to Madrid, Spain and starred in the popular teen drama El Internado for six seasons from 2007 to 2010. After moving to Los Angeles, de Armas had English-speaking roles in the horror film Knock Knock (2015) and the crime drama War Dogs (2016). She had a supporting role in the sports biopic Hands of Stone (2016).
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No False Advertising! Ana de Armas’ Absence From ‘Yesterday’ Flick Puts Trailers In Legal Spotlight

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deadline.com

Yesterday, Universal’s troubles suddenly weren’t so far away, at least when it comes to Ana de Armas’ absence from the 2019 Danny Boyle directed flick Yesterday. “Universal is correct that trailers involve some creativity and editorial discretion, but this creativity does not outweigh the commercial nature of a trailer,” wrote U.S.

District Judge Steven Wilson in a December 20 ruling on the studio’s mainly failed motion to dismiss the potential class action first filed back in January by Paul Michael Rosza and Conor Woulfe. “At its core, a trailer is an advertisement designed to sell a movie by providing consumers with a preview of the movie,” the federal judge went on to say (read it here) Trailer version of the $5 million suit: In July and October of 2021, Maryland-based Woulfe and California-based Rosza saw a trailer for the Himesh Patel-lead romcom that featured de Armas as a love interest.

Both fans soon after rented the film about a musician who wakes up knowing all the Beatles songs in a world where the Beatles never existed.

One catch (in a deep voice): de Armas was nowhere to be found in the picture. The now Blonde actress had been cut from Yesterday entirely.   “I think the audience did not like the fact that his eyes even strayed,” screenwriter Curtis told Cinamablend in 2019 of Patel’s Jack Malik and why de Armas’ Roxanne character, plus the subplot surrounding her was left on the cutting room floor.

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