Ben Croll With “Nadia, Butterfly,” a Cannes-selected character study that follows a young swimmer in the immediate aftermath of her final race, Quebecois director Pascal Plante looked to explore the often-unseen side of the Olympic dream with timely resonance.
Building on his own experiences as a competitive swimmer as well as those of lead actress Katerine Savard – a real-life Olympian who competed in both London and Rio and who marks her acting debut with this film – Plante set his sophomore feature at the then-anticipated 2020 Tokyo games, even shooting large parts of the film in Japan.
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