At 75 years of age and having already directed nearly 20 films, at this point in his career, Chinese-born Taiwanese film director and screenwriter Hou Hsiao-hsien delivers a film every ten years or so or whenever he’s damn ready.
The last film he made, “The Assassin” (2015; our review), possibly the artiest, most meditative wuxia film ever made and something of a masterpiece (I don’t really make top 10 lists anymore, but the last time I did one, “The Assassin” was on it).
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